- First Envelope is always an automation for the loudness
Sound Design
Filter
- Aktivieren
- Auf Low-Pass setzen
- Ein wenig Drive
- Cutoff setzen
Envelope 1
- Attack: 0 MS
- Hold: some MS
- Decay: 0ms
- Sustain: 0db
- Release: ~500 ms
Envelope 2
- Auf Cutoff des Filters legen
- Attack: 0 MS
- Hold: as preferred
- Decay: ~450ms
- Sustain: 0db
- Release: ~1000 ms
Oscillators
Typical: Square as base, Saw on top for harmonics
OSC 1
- Choose: Analog > Basic Shapes
- VT Pos: Square
- Unison: 3
- Detune:
- Octave: -3
- Rand: 0 (Set Phase for each note to default)
OSC 3
- Choose: Analog > Basic Shapes
- VT Pos: Saw
- Octave: -2
-
- Rand: 23% (Set Phase for each note to 23% Random)
Noise
- Aktivieren
- Noise Type: z.B. Analog > Ping
- Level: mit ENV2 automatisieren
- Filter: In den Filter hinein geben (N)
EFX
- Hyper / Dimension: Adds some Room
- Hyper is more digital
- Dimension is more natural
- Reverb:
- Size: 0
- Decay: 0
- Mix:
- Automated by ENV2
- Default on 0
- Automation Only added on tail
- EQ:
- Gain: mit ENV2 automatisieren
- EQ Type: Peak
- Q: Anpassen
- Freq: Anpassen
Makro Efx
- Multiband Compression: Bringt den Sound mehr “zusammen”
- EQ Eight: Damit man das Freq Spektrum sieht
- Sweet Spot finden
- High freq etwas heraus nehmen
- Compressor: Side-Chaining to ghost kick
- Limiter:
- Avoid Clipping
- Push it more and compress it
- Ceiling: Anpassen
- Auto Filter
- Von Kick kopieren
Bass line
- In Tech House typically semitone above - wholetone below root note
- Add some 16th syncopation